On a hike last weekend in the Santa Cruz mountains that separate the San Francisco Bay from the Pacific Ocean, I came across this guy.
 |
| Banana slug |
This one is about 4" long. I don't see them nearly as much this time of year. They're more commonly seen during the wet season. OK, on to woodworking.
Richard McGuire's latest video series was a side table project that included ebonizing the legs as part of the finishing regimen. If you haven't subscribed, it's an excellent series and I thought the part on ebonizing was well worth the cost of the entire series. I thought I'd try the process on an oak frame that I built a couple weeks ago.
I have to say here - I tried to contact Richard and Helen to ask if they minded if I blog about my experiment, but I have not heard from them. So I hope this is OK and if I leave out some details, you'll understand.
I started a couple weeks ago by preparing an iron solution that would be used to react with the tannins that occur naturally in oak to turn it black.
 |
| 8-12 oz. mason jar, fine steel wool and some vinegar |
I filled the jar with vinegar, put the lid on loosely (to let any evolved gases escape) and let it sit, stirring every day or two.
 |
| Just started |
I didn't really know what to expect with this. After two days it looked like this. You can see a reddish brown muck starting to form at the top. But the wool is dissolving.
 |
| After two days |
I stirred it with a stick and got this.
 |
| After two days - mixed |
I expected the solution to get black and stay that way, but it separates over a couple hours.
 |
| Day 4 |
 |
| Day 10 |
Here's what day 10 looked like from the top.
 |
| I ended up scooping out most of this muck |
The second thing you need for the ebonizing is a solution that has some tannic acid in it. Oak has tannins in it naturally, but apparently in dry oak (and this was very dry, old, re-purposed oak) the effect is less. The answer is to take some oak shavings and boil them to create a tannic acid solution.
 |
| Mmmm, oak soup |
When this was ready, I got the stuff together and hit the shop. The following picture shows a pine/spruce/fir store-bought shim that I dunked first in the oak soup, then the iron solution. You can see on the shim that I dunked about 2/3 of what you can see in the soup and after that, about 1/3 in the iron solution. The oak soup has little effect on its own, but after the iron hits it, the color changes.
 |
| Testing the oak soup and iron solution on a coniferous shim |
BTW, it's interesting that this worked on a wood other than oak that has no natural tannins.
After coating the frame with the soup and letting it sit a while (twice), I added the iron solution. You can still easily see the original oak color, but the chemical reaction that turns things black keeps going well after the application of the solutions.
 |
| Oak frame (and scrap frame piece) after first application, shown with raw oak |
Here it is after letting it dry.
 |
| After a while |
I used one or two more applications to darken the color and after that was dry, I applied three coats of BLO with a day in between each coat to let dry. After a few days curing, I applied a coat of paste wax and buffed with a shoe brush.
 |
| I like the color |
I like how you can still see the grain. The next picture is a close-up of one corner and you can see that I didn't get the solutions deep enough in the open areas of the porous sections of the oak. I'm not concerned about that at all - it still looks really neat.
 |
| Close-up showing grain |
On another section I took a picture with something in the shop that was black to get a comparison.
 |
| Not as black as this black plastic, but still pretty dark! |
 |
| Another area showing hints of the original oak brown |
I know I could have repeated the process a few more times (before oiling and waxing) to get a deeper black, but this was just an experiment. So when I do this for real, I'll know what to look for and when I've gotten the color I want.
One last thing - I was interested in how far into the wood the black color reached. So I took one of my scrap test pieces and crosscut it. Here is the end grain view. You can see a little penetration in the upper left where there was a small crack on the wood, but almost zero penetration from any long grain surface into the wood.
 |
| Shows almost no penetration of the color into the wood from long grain surfaces |
And here is a view showing how far the penetration went into end grain. Not even a 16th of an inch. I expected a lot more.
 |
| End grain penetration |
A nice experiment. Next time I'll be much more liberal with my application of the solutions. And once again - if you are interested in this method, think about subscribing to Richard McGuire's video series to get all the details. He's really teaches well and I learned a lot from just this one series.